Evanescence V\u00e9g\u00e9tale<\/h1><\/span><\/div><\/div><\/div><\/div><\/div><\/span>\u201cLa nature comme m\u00e9taphore de l\u2019\u00e9ph\u00e9m\u00e8re\u201d<\/span><\/h2><\/span><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/span><\/a><\/span><\/a><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/span>Evanescence V\u00e9g\u00e9tale \u201cLa nature comme m\u00e9taphore de l\u2019\u00e9ph\u00e9m\u00e8re\u201d<\/span><\/h2><\/span><\/div><\/div><\/div>En magnifiant les textures et les imperfections de v\u00e9g\u00e9taux fan\u00e9s, la s\u00e9rie Evanescence V\u00e9g\u00e9tale offre \u00e0 ses spectateurs une vision esth\u00e9tique de l\u2019\u00e9ph\u00e9m\u00e8re, du basculement du vivant \u00e0 l\u2019inerte.<\/i><\/b><\/p>\n
Ces fleurs et feuilles arriv\u00e9es au stade ultime de leur vie, ass\u00e9ch\u00e9es, \u00e9rod\u00e9es, presque min\u00e9ralis\u00e9es, suscitent une prise de conscience de la fugacit\u00e9 et de la fragilit\u00e9 de la nature qui nous renvoie naturellement \u00e0 notre propre vie.<\/p>\n
Extraits de leur contexte, ces v\u00e9g\u00e9taux nous donnent \u00e0 voir ce que personne ne remarque. Les diversit\u00e9s de texture et de mati\u00e8re – accentu\u00e9es par les ravages du temps et soulign\u00e9es par un habile jeu d\u2019ombres et de lumi\u00e8res – transforment notre regard sur la nature qui nous entoure.<\/p>\n
Cette s\u00e9rie associe les codes de la documentation botanique (fond neutre et pr\u00e9cision des tirages), \u00e0 la mani\u00e8re de Karl Blossfeldt (1865-1932), au travail plus artistique sur les contrastes et la profondeur de champ. L\u2019absence de mention ou de titre autorise le spectateur \u00e0 cr\u00e9er sa propre interpr\u00e9tation et vision de l’\u0153uvre.<\/p>\n
Inspirations photographiques : <\/b><\/p>\n\n- BLOSSFELDT Karl <\/b>– Mouleur et Photographe (1865-1932)<\/li>\n
- WESTON Edward<\/b> – Photographe (1886-1956)<\/li>\n
- MAPPLETHORPE Robert<\/b> – Photographe (1946-1989)<\/li>\n<\/ul>\n
Adresse de l’exposition : <\/b><\/p>\n
Atelier du photographe<\/a> – espace des m\u00e9tiers d’art – 14430 Beuvron en Auge<\/p>\nArticle de presse <\/a><\/b><\/p>\n<\/div>Voir les photos<\/span><\/a><\/div><\/div><\/div><\/span>Plant Evanescence \u201c<\/b>Nature as a metaphor of the ephemeral<\/b>\u201d<\/b><\/h2><\/span><\/div><\/div><\/div>Thanks to its glorification of textures and imperfections of faded plants, the \u00c9vanescence series offers its spectators an aesthetic vision of the ephemeral, and of the passing from alive to inert.<\/i><\/b><\/p>\n
These flowers and leaves have come to the ultimate stage of their life, are dried out, eroded, mineralised, and arouse our consciousness of an ephemeral and weak nature, which naturally reflects our own life.<\/p>\n
Out of their context, these plants allow us to see what nobody notices. The diversities of textures and substance, are enhanced by time damages and are underlined thanks to a skilful game of lights and shadows, and they transform our vision of the nature surrounding us.<\/p>\n
This series associates the codes of botanical documentation (a neutral background and precise prints), the way Karl Blossfeldt (1865-1932) would do, with a more artistic work on contrasts and depth of field. Because there are no mention nor title, the spectators can create their own vision or interpretation of the works.<\/p>\n
Photographic inspiration :<\/b><\/p>\n\n- BLOSSFELDT Karl <\/b>– Mouleur et Photographe (1865-1932)<\/li>\n
- WESTON Edward<\/b> – Photographe (1886-1956)<\/li>\n
- MAPPLETHORPE Robert <\/b>– Photographe (1946-1989)<\/li>\n<\/ul>\n
<\/p>\n
Adress : <\/b><\/p>\n
Atelier du photographe – espace des m\u00e9tiers d’art – 14430 Beuvron en Auge<\/p>\n
\u201cLa nature comme m\u00e9taphore de l\u2019\u00e9ph\u00e9m\u00e8re\u201d<\/span><\/h2><\/span><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/span><\/a><\/span><\/a><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/span>Evanescence V\u00e9g\u00e9tale \u201cLa nature comme m\u00e9taphore de l\u2019\u00e9ph\u00e9m\u00e8re\u201d<\/span><\/h2><\/span><\/div><\/div><\/div>En magnifiant les textures et les imperfections de v\u00e9g\u00e9taux fan\u00e9s, la s\u00e9rie Evanescence V\u00e9g\u00e9tale offre \u00e0 ses spectateurs une vision esth\u00e9tique de l\u2019\u00e9ph\u00e9m\u00e8re, du basculement du vivant \u00e0 l\u2019inerte.<\/i><\/b><\/p>\n
Ces fleurs et feuilles arriv\u00e9es au stade ultime de leur vie, ass\u00e9ch\u00e9es, \u00e9rod\u00e9es, presque min\u00e9ralis\u00e9es, suscitent une prise de conscience de la fugacit\u00e9 et de la fragilit\u00e9 de la nature qui nous renvoie naturellement \u00e0 notre propre vie.<\/p>\n
Extraits de leur contexte, ces v\u00e9g\u00e9taux nous donnent \u00e0 voir ce que personne ne remarque. Les diversit\u00e9s de texture et de mati\u00e8re – accentu\u00e9es par les ravages du temps et soulign\u00e9es par un habile jeu d\u2019ombres et de lumi\u00e8res – transforment notre regard sur la nature qui nous entoure.<\/p>\n
Cette s\u00e9rie associe les codes de la documentation botanique (fond neutre et pr\u00e9cision des tirages), \u00e0 la mani\u00e8re de Karl Blossfeldt (1865-1932), au travail plus artistique sur les contrastes et la profondeur de champ. L\u2019absence de mention ou de titre autorise le spectateur \u00e0 cr\u00e9er sa propre interpr\u00e9tation et vision de l’\u0153uvre.<\/p>\n
Inspirations photographiques : <\/b><\/p>\n\n- BLOSSFELDT Karl <\/b>– Mouleur et Photographe (1865-1932)<\/li>\n
- WESTON Edward<\/b> – Photographe (1886-1956)<\/li>\n
- MAPPLETHORPE Robert<\/b> – Photographe (1946-1989)<\/li>\n<\/ul>\n
Adresse de l’exposition : <\/b><\/p>\n
Atelier du photographe<\/a> – espace des m\u00e9tiers d’art – 14430 Beuvron en Auge<\/p>\nArticle de presse <\/a><\/b><\/p>\n<\/div>Voir les photos<\/span><\/a><\/div><\/div><\/div><\/span>Plant Evanescence \u201c<\/b>Nature as a metaphor of the ephemeral<\/b>\u201d<\/b><\/h2><\/span><\/div><\/div><\/div>Thanks to its glorification of textures and imperfections of faded plants, the \u00c9vanescence series offers its spectators an aesthetic vision of the ephemeral, and of the passing from alive to inert.<\/i><\/b><\/p>\n
These flowers and leaves have come to the ultimate stage of their life, are dried out, eroded, mineralised, and arouse our consciousness of an ephemeral and weak nature, which naturally reflects our own life.<\/p>\n
Out of their context, these plants allow us to see what nobody notices. The diversities of textures and substance, are enhanced by time damages and are underlined thanks to a skilful game of lights and shadows, and they transform our vision of the nature surrounding us.<\/p>\n
This series associates the codes of botanical documentation (a neutral background and precise prints), the way Karl Blossfeldt (1865-1932) would do, with a more artistic work on contrasts and depth of field. Because there are no mention nor title, the spectators can create their own vision or interpretation of the works.<\/p>\n
Photographic inspiration :<\/b><\/p>\n\n- BLOSSFELDT Karl <\/b>– Mouleur et Photographe (1865-1932)<\/li>\n
- WESTON Edward<\/b> – Photographe (1886-1956)<\/li>\n
- MAPPLETHORPE Robert <\/b>– Photographe (1946-1989)<\/li>\n<\/ul>\n
<\/p>\n
Adress : <\/b><\/p>\n
Atelier du photographe – espace des m\u00e9tiers d’art – 14430 Beuvron en Auge<\/p>\n
Evanescence V\u00e9g\u00e9tale \u201cLa nature comme m\u00e9taphore de l\u2019\u00e9ph\u00e9m\u00e8re\u201d<\/span><\/h2><\/span><\/div><\/div><\/div>En magnifiant les textures et les imperfections de v\u00e9g\u00e9taux fan\u00e9s, la s\u00e9rie Evanescence V\u00e9g\u00e9tale offre \u00e0 ses spectateurs une vision esth\u00e9tique de l\u2019\u00e9ph\u00e9m\u00e8re, du basculement du vivant \u00e0 l\u2019inerte.<\/i><\/b><\/p>\n
Ces fleurs et feuilles arriv\u00e9es au stade ultime de leur vie, ass\u00e9ch\u00e9es, \u00e9rod\u00e9es, presque min\u00e9ralis\u00e9es, suscitent une prise de conscience de la fugacit\u00e9 et de la fragilit\u00e9 de la nature qui nous renvoie naturellement \u00e0 notre propre vie.<\/p>\n
Extraits de leur contexte, ces v\u00e9g\u00e9taux nous donnent \u00e0 voir ce que personne ne remarque. Les diversit\u00e9s de texture et de mati\u00e8re – accentu\u00e9es par les ravages du temps et soulign\u00e9es par un habile jeu d\u2019ombres et de lumi\u00e8res – transforment notre regard sur la nature qui nous entoure.<\/p>\n
Cette s\u00e9rie associe les codes de la documentation botanique (fond neutre et pr\u00e9cision des tirages), \u00e0 la mani\u00e8re de Karl Blossfeldt (1865-1932), au travail plus artistique sur les contrastes et la profondeur de champ. L\u2019absence de mention ou de titre autorise le spectateur \u00e0 cr\u00e9er sa propre interpr\u00e9tation et vision de l’\u0153uvre.<\/p>\n
Inspirations photographiques : <\/b><\/p>\n\n- BLOSSFELDT Karl <\/b>– Mouleur et Photographe (1865-1932)<\/li>\n
- WESTON Edward<\/b> – Photographe (1886-1956)<\/li>\n
- MAPPLETHORPE Robert<\/b> – Photographe (1946-1989)<\/li>\n<\/ul>\n
Adresse de l’exposition : <\/b><\/p>\n
Atelier du photographe<\/a> – espace des m\u00e9tiers d’art – 14430 Beuvron en Auge<\/p>\nArticle de presse <\/a><\/b><\/p>\n<\/div>Voir les photos<\/span><\/a><\/div><\/div><\/div><\/span>Plant Evanescence \u201c<\/b>Nature as a metaphor of the ephemeral<\/b>\u201d<\/b><\/h2><\/span><\/div><\/div><\/div>Thanks to its glorification of textures and imperfections of faded plants, the \u00c9vanescence series offers its spectators an aesthetic vision of the ephemeral, and of the passing from alive to inert.<\/i><\/b><\/p>\n
These flowers and leaves have come to the ultimate stage of their life, are dried out, eroded, mineralised, and arouse our consciousness of an ephemeral and weak nature, which naturally reflects our own life.<\/p>\n
Out of their context, these plants allow us to see what nobody notices. The diversities of textures and substance, are enhanced by time damages and are underlined thanks to a skilful game of lights and shadows, and they transform our vision of the nature surrounding us.<\/p>\n
This series associates the codes of botanical documentation (a neutral background and precise prints), the way Karl Blossfeldt (1865-1932) would do, with a more artistic work on contrasts and depth of field. Because there are no mention nor title, the spectators can create their own vision or interpretation of the works.<\/p>\n
Photographic inspiration :<\/b><\/p>\n\n- BLOSSFELDT Karl <\/b>– Mouleur et Photographe (1865-1932)<\/li>\n
- WESTON Edward<\/b> – Photographe (1886-1956)<\/li>\n
- MAPPLETHORPE Robert <\/b>– Photographe (1946-1989)<\/li>\n<\/ul>\n
<\/p>\n
Adress : <\/b><\/p>\n
Atelier du photographe – espace des m\u00e9tiers d’art – 14430 Beuvron en Auge<\/p>\n
En magnifiant les textures et les imperfections de v\u00e9g\u00e9taux fan\u00e9s, la s\u00e9rie Evanescence V\u00e9g\u00e9tale offre \u00e0 ses spectateurs une vision esth\u00e9tique de l\u2019\u00e9ph\u00e9m\u00e8re, du basculement du vivant \u00e0 l\u2019inerte.<\/i><\/b><\/p>\n
Ces fleurs et feuilles arriv\u00e9es au stade ultime de leur vie, ass\u00e9ch\u00e9es, \u00e9rod\u00e9es, presque min\u00e9ralis\u00e9es, suscitent une prise de conscience de la fugacit\u00e9 et de la fragilit\u00e9 de la nature qui nous renvoie naturellement \u00e0 notre propre vie.<\/p>\n
Extraits de leur contexte, ces v\u00e9g\u00e9taux nous donnent \u00e0 voir ce que personne ne remarque. Les diversit\u00e9s de texture et de mati\u00e8re – accentu\u00e9es par les ravages du temps et soulign\u00e9es par un habile jeu d\u2019ombres et de lumi\u00e8res – transforment notre regard sur la nature qui nous entoure.<\/p>\n
Cette s\u00e9rie associe les codes de la documentation botanique (fond neutre et pr\u00e9cision des tirages), \u00e0 la mani\u00e8re de Karl Blossfeldt (1865-1932), au travail plus artistique sur les contrastes et la profondeur de champ. L\u2019absence de mention ou de titre autorise le spectateur \u00e0 cr\u00e9er sa propre interpr\u00e9tation et vision de l’\u0153uvre.<\/p>\n
Inspirations photographiques : <\/b><\/p>\n Adresse de l’exposition : <\/b><\/p>\n Atelier du photographe<\/a> – espace des m\u00e9tiers d’art – 14430 Beuvron en Auge<\/p>\n Article de presse <\/a><\/b><\/p>\n<\/div> Thanks to its glorification of textures and imperfections of faded plants, the \u00c9vanescence series offers its spectators an aesthetic vision of the ephemeral, and of the passing from alive to inert.<\/i><\/b><\/p>\n These flowers and leaves have come to the ultimate stage of their life, are dried out, eroded, mineralised, and arouse our consciousness of an ephemeral and weak nature, which naturally reflects our own life.<\/p>\n Out of their context, these plants allow us to see what nobody notices. The diversities of textures and substance, are enhanced by time damages and are underlined thanks to a skilful game of lights and shadows, and they transform our vision of the nature surrounding us.<\/p>\n This series associates the codes of botanical documentation (a neutral background and precise prints), the way Karl Blossfeldt (1865-1932) would do, with a more artistic work on contrasts and depth of field. Because there are no mention nor title, the spectators can create their own vision or interpretation of the works.<\/p>\n Photographic inspiration :<\/b><\/p>\n <\/p>\n Adress : <\/b><\/p>\n Atelier du photographe – espace des m\u00e9tiers d’art – 14430 Beuvron en Auge<\/p>\n\n
Plant Evanescence \u201c<\/b>Nature as a metaphor of the ephemeral<\/b>\u201d<\/b><\/h2><\/span>
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